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Jolly Good Ale and Old

Jolly Good Ale and Old

(A drynkinge song of much repute)

 

I cannot eat but little meat

My stomach is not good

But sure I think that I can Drink

With him that weareth an Hood.

Though I goe Bare, take you no care

For I am never cold

I stuff my skin so well within

With Jolly good Ale and old.

Back and sides goe bare, goe bare,

          Both hand and foot goe colde,

But belly, God send good Ale enough,

          Be it newe or old.

 

I love no roast but a nut-brown Toast

And a crab laid in the fyre,

A little bread should do me stead,

Much bread I never desire.

Nor Wind nor Snowe or Frost, I trow,

Can harm me if it would,

I am so wrapped, and thoroughly lappt,

With Jolly good Ale and old.

Back and sides goe bare, goe bare, &c.

 

I care right nought, I take no thought

For cloathes to keepe me warm,

Have I good Drink, I surely think

That none can do me harm.

For truly then, I feare no Man,

Though he be ne’er so bold,

When I am armed and thoroughly warmed

With Jolly good Ale and old.

Back and sides goe bare, goe bare, &c.

 

Now let them drink till they nod and wink,

E’en as good Fellowes doe,

They shall not miss to have the bliss

That Good Ale brings them to.

And all poor souls that scour black bowls,

Or have them lustily trolled,

God save the lives of them and their wives

Wether they be younge or old.

Back and sides goe bare, goe bare,

          Both hand and foot goe colde,

But belly, God send good Ale enough,

          Be it newe or old.

 

Soldiers Three

Soldiers Three

We be soldiers three,

Pardonnay moy je vouz ahn pree,

Lately come forth from the low country,

With never a penny of money.

 

Here, good fellow, I drink to thee,

Pardonnay moy je vouz ahn pree,

To all the good fellowes wherever they be,

With never a penny of money.

 

And he that will not pledge me this,

Pardonnay moy je vouz ahn pree,

Pays for the shot, whatever it is,

With never a penny of money.

 

Charge it again, boys, charge it again,

Pardonnay moy je vouz ahn pree,

As long as there is any ink in thy pen,

With never a penny of money.

 

We be soldiers three,

Pardonnay moy je vouz ahn pree,

Lately come forth from the low country,

With never a penny of money.

 

The Jovial Broome-Man

The Jovial Broome-Man

(The tale of a much-travelled man, and how he came to be laid low)

Room for a Lad that’s come from seas,

Hey, Jolly Broom-Man

That gladly now would take his ease,

And therefore make me room, man.

France, the Netherlands, and Spain,

Hey, Jolly Broom-Man,

I’ve crossed the seas and back again,

And therefore make me room, man.

 

Yet in these countries there liv’d I,

Hey, Jolly Broom-Man

And valiant soldiers I’ve seen die,

          And therefore make me room, man.

A hundred gallants there I kill’d,

          Hey, Jolly Broom-Man,

And besides, a world of blood I spill’d

And therefore make me room, man.

 

In Germanie I took a Towne,

          Hey, Jolly Broom-Man

And threw the walls there upside-down,

          And therefore make me room, man.

At Tilbury Camp with Captain Drake,

          Hey, Jolly Broom-Man,

I made the Spanish Fleet to quake

And therefore make me room, man.

 

At Holland’s Leaguer there I fought,

          Hey, Jolly Broom-Man

But there the service prov’d too hot,

          And therefore make me room, man.

Then from the League returned I,

          Hey, Jolly Broom-Man,

Naked, hungry, cold and dry,

And therefore make me room, man.

 

When I was drinking at the Cat’s Perch Inn,

          Hey, Jolly Broom-Man

I was set upon by Gardiner’s Men,

          And therefore make me room, man.

Then to make the matter worse,

          Hey, Jolly Broom-Man,

They threw me down and stole my purse

And therefore make me room, man.

 

Now have I compass’d the Globe,

          Hey, Jolly Broom-Man

And I’m return’d as poor as Job,

          And therefore make me room, man.

And now I’m safe returned here,

          Hey, Jolly Broom-Man,

Here’s to you with a cup of English beer,

And therefore make me room, man.

 

 

Of All the Birds That Ever I See

Of All the Birds That Ever I See

(Wherein the men do speak their mind, and the women, theirs.)

Of all the birds

That ever I see,

The owl is the fairest

In her degree.

For all the day long

She sits in a tree,

And when the night comes,

Away flies she.

          To whit, to woo,

          To whom drinks thou,

          Sir Knave, to thee.

          This song is well sung,

          And I make you a vow,

          That he is a knave

          That drinketh now.

          This song is well sung,

          And I make you a vow,

          That he is a knave

          That drinketh now.

          Nose, nose, nose, nose,

          And who gave thee

          That jolly red nose?

          Cinnamint and Ginger,

          Nutmeg and Cloves,

          And that gave thee

          Thy jolly red nose.

          Nose, nose, nose, nose,

          And who gave thee

          That jolly red nose?

         Cinnamint and Ginger,

          Nutmeg and Cloves,

          And that gave thee

          Thy jolly red nose.

(Verse the second, wherein the men do sing:)

I’ll not have a woman

Who’s never been tried,

But give me a wanton

To lie by my side.

And this I do use

As the rule of my life,

That wanton is best

Who’s another man’s wife.

          Nose, nose, &c.

(Verse the third, where the women do answer:)

You’ll not have us, sirs,

Although you may try,

But we do not deign

With drunkards to lie.

For Ale-Knights do claim

Our fields they will plow,

But they always deliver

Much less than they vow.

          Nose, nose, &c.

Foods and Feasts 2015 Governor’s Table: Gingerbread

Modern gingerbread in the US is mostly done in cookie form, using flour to make a dense cookie dough. Our readers in the UK will be more familiar with gingerbread in a dense moist loaf form, like banana bread.

(The little rounds are slices of crystallized ginger.)

Gervase Markham in The English Housewife has a recipe for gingerbread as follows:

To make coarse gingerbread, take a quart of honey and set it on the coals and refine it: then take a pennyworth of ginger, as much pepper, as much liquorice; and a quarter pound of aniseeds, and a pennyworth of sanders [sandalwood]: all these must be beaten and searced [sifted], and so put into the honey: then put in a quarter of a pint of claret wine or old ale: then take three penny manchets finely grated and strew it amongst the rest, and stir it till it come to a stiff paste, and then make it into cakes and dry them gently.

That is a lot of spices, and in amounts that are almost impossible to gauge, because of the changing worth of the ingredients. Working with the recipe was necessary to make sure that the gingerbread was not overwhelmed by the liquorice flavour. Modern honey allows us to skip the step of refining the honey.

Gingerbread (The English Housewife, 1615)
1 cup honey
1 Tbsp ginger
1/2 tsp white pepper
1/4 tsp liquorice/aniseed extract
1/2 tsp whole aniseed, ground in a mortar and sifted
1/4 cup ale
5 cups finely grated fresh white breadcrumbs, firmly packed
cooking spray

Tools needed: 1 medium saucepan, heavy bottomed, small jello molds or candy molds, parchment paper, cookie sheet.

Warm the honey in a medium-size saucepan over low heat. Add the ginger, pepper, extract, and ground aniseed. Stir until well mixed. Add the ale, and stir until well blended. Add the breadcrumbs 1/2 cup at a time, stirring until blended each time. Once all the bread is added, cook the mixture over low heat, stirring frequently, until the mix is a stiff paste, like firm mashed potatoes. Turn off the heat, and allow to stand until cool enough to handle.

Preheat oven to 225F. Grease jello/candy molds generously with cooking spray; pack gingerbread mixture firmly into molds, so no air pockets remain, and so the bases are flat. Put filled molds into the fridge for 10 minutes. Un-mold gingerbread onto a parchment paper lined cookie sheet. Bake @ 225F for 30-40 minutes, or until the surface of the gingerbread is dry to the touch.

I’ve seen other people try to make gingerbread using this recipe, and I think the last step of drying the gingerbread in the oven is crucial to the success of the recipe. If the gingerbread is not baked, it remains unmanageably sticky. The flavour is spicier and has more bite than modern gingerbread; if you like anise and ginger, though, this recipe is delicious. Make sure to use small molds; a little of this gingerbread goes a long way!

Jamestown Food and Feasts 2015 – Recipe for Sugar Cakes

Gardiner’s Company had a great time at Foods and Feasts this year! Thank you to all our great volunteers, it was fabulous.

Bob and I worked the Great Hall in the Governor’s House, as usual:

I’ll be posting all the recipes for this year’s Governor’s Table over the course of the next week or so, but let’s start with links to the recipes I posted last year:

Sugar Cakes:

This year, I augmented the recipe with a topping for wafers (another kind of thin cookie, very popular with the rich) from The English Housewife by Gervase Markham:

To make the best marchpane [marzipan], take the best Jordan almonds and blanch them in warm water, then put them into a stone mortar, and with a wooden pestle beat them to pap, then take of the finest refined sugar well searced [powdered], and with it, and damask rose-water, beat it to a good stiff paste, allowing to almost every Jordan almond three spoonful of sugar; then when it is brought thus to a paste, lay it on a fair [flat] table, and strewing searced sugar under it, mould it like leaven [i.e., into a flattish ball, like a round loaf of bread]; then with a rolling pin roll it forth, and lay it upon wafers washed with rose-water; then pinch it about the sides, and put it into what form you please; then strew searced sugar all over it; which done, wash it over with rose-water and sugar mixed together, for that will make the ice; then adorn it with comfits, gilding, or whatsoever devices you please, and so set it into a hot stove, and there bake it crispy, and so serve it forth.

I substituted the sugar cakes for the wafers in the recipe, baking them and allowing them to cool before applying the marzipan. I rolled out the marzipan to a 1/4″ thick, and cut out the rolled marzipan with the same size cutter I used for the sugar cake dough (about 2″).

You will need:
Baked and cooled sugar cakes
16oz almond paste (in cans in the baking aisle; any marzipan dough will do)
2 cups powdered (confectioner’s) sugar, plus more for dusting
1/4 cup rosewater, plus two Tablespoons rosewater

Dust your rolling surface and rolling pin with powdered sugar. Open the marzipan, and rolling it in your hands, form it into a ball. Roll the ball out until roughly 1/4″ thick (if it gets sticky, add more powdered sugar). Using the same size cutter as your sugar cakes, cut out as many rounds of marzipan as you have sugar cakes (the linked recipe makes about 52).

Working a few at a time so they don’t dry out, brush the tops of the sugar cakes with rosewater and then apply the marzipan rounds, pressing down lightly. Allow to dry.

Mix the 1/4 cup rosewater and the 2 cups powdered sugar together (you can add some meringue powder here for stability if you wish, but it’s not mandatory) into icing. Using a pastry brush, brush a thick layer of the icing onto each sugar cake. Allow to dry completely before putting them into a cookie tin or box. Put parchment paper between the layers of cookies, as the marzipan will get oily if it gets warm.

You can also change the flavour of the recipe by substituting lemon juice or plain water for the rosewater. Not everyone likes rosewater, but I think these are delicious.

Gardiners Site Cleanup

 

The site is cleared and cleanup has begun! Several members spent this past weekend, cleaning up debris, pulling up small roots, moving logs around and marking out the kitchen and tavern site.

The site is beautifully situated with a large level area dotted with beech and oak trees for shade and completely surrounded by forest. There’s a nice rise of trees on one side creating a perfect berm for archery and black powder. It’s far enough from the road for privacy, atmosphere and quiet.

The morning was spent picking up branch debris and digging up or hacking away roots waiting to trip you up. Then Bob and Alan headed up the driveway to move some trees. Alan used his tow chain to line the drive with a few, while others were towed to the kitchen site for firewood.

Harv, Rob, Jeff and Jen tackled the large pile of trees left by the clearing company. The hope is to have someone come with a portable mill to cut the trees for use in the kitchen and/or tavern in exchange for them taking some trees for their own. We’ll see if that works out. The group spent some time rolling some logs off the huge pile onto a sled so they can be worked. A combination of strategic chain sawing, leverage and the occasional tow chain from Rob’s Suburban brought down a dozen or so logs without injury.

That wrapped up the day, but there is still a lot of work to do. There are several holes where large trees came down that will need to be filled. Bob and Harv  will be starting on the kitchen soon, digging footers and tackling the brick work. The plans for the kitchen along with a cut list will be done soon.

Thanks to Bob and Laura for hosting and coordinating everything! Jeff and Rob who drove down for the day from Maryland and Harv, Alan and Jen for all their work!

To see more images of the site, visit my Flickr site.

Timeline of events leading up to our Spring Muster (2014)

Robert has put together a timeline for events occurring before Muster, set in April 1594. These events are from 1593, as nothing of import seems to have  occurred until May of 1594.

Given the speed which information passed in period, all of the events would be known to the citizens of London by Muster. You may have even seen the various plays listed, as well as others from previous years. Here are some starter links if you wish to research any of these for more details for gossip to spread at the event.
******************************

1593

January John Norden commissioned to make maps of all the counties of England. Speculum Britanniae: the First Parte: an Historicall, & Chorographicall Discription of Middlesex was published later this year.

February – London’s theatres were closed again due to an outbreak of the plague, and many players left the capital to tour the provinces. No theater performances since then.

23 FebruaryPeter Wentworth imprisoned for raising the issue of succession to the throne in Parliament.

6 April — Henry Barrow and John Greenwood,  puritan Separatists, were hanged at Tyburn.
The Witches of Warboys, Alice, John and Agnes Samuel, having been found guilty of witchcraft, were hanged at Huntingdon.

5 May – “Dutch church libel“: Bills posted in London, on the wall of a Dutch churchyard in Broad Street, threatening Protestant refugees from France and the Netherlands allude to Christopher Marlowe’s plays.

12 May – Arrest of dramatist Thomas Kyd in connection with the “Dutch church libel”. “Atheist” literature found in his home is claimed to be Marlowe’s.

18 May – A warrant for the arrest of Christopher Marlowe is issued. On 20 May he presents himself to the Privy Council. A theory on the framing of Marlowe

29 May – Execution of the Welsh Protestant John Penry suspected of involvement with the Marprelate Controversy.

May 30 — Dramatist Christopher Marlowe is stabbed to death in a dispute over the bill at a lodging house in Deptford.

September — Irish pirate queen Grace O’Malley meets with Queen Elizabeth at Greenwich.

The Taming of the Shrew, Henry VI, Part 3, and  Richard III all have been performed at The Theater.

Publication of Shakespeare’s poem Venus and Adonis.

Coinage of the Elizabethan Era

Robert has created an article on Elizabethan Money. Most of the reproduction money we use for pay and gaming in Gardiner’s Company are the farthings, ha’penny, penny, tuppence, groats, and sixpence. Robert has included descriptions and images of each coin to help us identify them.

Enjoy!

Coinage of the Elizabethan Era

 

 

Turks Head Knot by Ester Pickering

The turks head knot, a decorative, yet challenging little knot. It was commonly used on sweet bags and is still used today as a decorative knot and seems to be popular for Boy Scouts as a Wood Badge Woggle. Initially I used the instructions from Jacqui Carey’s Sweet Bags book but was confused that it didn’t match some of the knots shown in the close-up images of period bags. There seemed to be various sizes of the knot.

After perusing various books, I found a wealth of information on the internet. It seems there is an entire class of knots known as Turk’s head. They are characterized by leads and bights. What are those you ask? Leads are the number of loops the knot is created from and bights are the indentations created by the weave pattern.

So the knot instructions from the Carey book on Sweet bags is a 3 lead 4 bight knot, which was perfect for the small knots. However, I wanted a wider knot for the top of my bottom dangles and that matched the knot seem in some of the sweet bags shown in the book. I found instructions for a 4 lead 5 bight knot. This was perfect. This is a 4 loop knot with 5 indentations.

I found great instructions for this knot from The International Guild of Knot Tyers. They call it the 5 x 4 Turk’s Head on Hand. I started the knot on hand as it set up the weave. Then tightened this down over a chopstick. The knot is then transferred to the sweet bag and tightened further. You can’t tighten too much as you need room to weave 2 more passes of thread to bulk out the knot.

I used #4 Gilt Smooth Passing Thread from Access Commodities. It is challenging to tighten this knot down evenly before you start weaving, but the result was a nicely woven knot that covered the area I wanted. Instructions for the smaller 3 lead 4 bight knot are found in the Sweet Bags book. Carey gives great instructions. The initial weave also makes a decorative flat knot also found on sweet bags usually made from gimp.

3 loop knot
3 lead/loop Turks Head knot flat made from gimp
4 lead Turks Head knot start
4 lead/loop Turks Head knot start
4 lead 5 bight Turks Head Knot in place
4 lead/loop 5 bight Turks Head Knot in place
3 lead 4 bight Turks Head Knot
3 lead/loop 4 bight Turks Head Knot